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Although the project eventually came to embrace a complex set of interests and motivations, its appeal to me owes a lot to its emulation of the folksinger model: bringing my art into people's lives while having a more or less supportive, interested audience to interact with, day after day. It struck me as - and has proven to be - a welcome contrast to the usual routine that most artists take for granted: working in isolation, then, maybe once a year, meeting a small crowd at an exhibition opening for a few hours. There is gift-exchange in my life, to be sure, but even I have never had the nerve to try an experiment as full as the one you undertook. Bravo! - Lewis Hyde, author of The Gift and Trickster Makes This World The Itinerant Artist Project is a painting-based project with strong public outreach and performance dimensions. It involves locating (by various means) a series of voluntary "hosts" around the USA, touring by car from host to host, and at each stop painting several small location paintings, offering one in exchange for the hospitality provided (room, board and occasional conversation for 2-5 days). Among other things, the project explores the function of art as gift and the effect of a gift economy on productivity. The first phase was done in five main installments, covering six months during the years 2000-2004. The second phase, beginning later in 2006, will be carried out similarly but will have a different geographic focus, including US borderlands, with travel extending into Canada and possibly Mexico for cultural and geographic contrast. The IAP has been pivotal for my development as an artist. Besides giving me new ways to think about my role as a painter, and as a mediator between art and place and public, the touring has stimulated unexpected productivity, and the resulting artwork has drawn local and national attention through a number of articles, exhibits and presentations. While the art road trips and short residencies that I have undertaken over the past several years are at the heart of the IAP, the project now also includes a large set of paintings and experiences (which I am currently attempting to work into book form), as well as a traveling exhibit, occasional presentations I've given on the subject, and a line of prints and greeting cards that reproduce some of the paintings I've done during my travels. Although the touring itself is based on the principle of gift exchange and is therefore largely self-supporting and largely removed from the market economy, sales of paintings (sometimes to hosts who want more than one), prints and cards are necessary to cover inevitable project expenses and to keep me going the rest of the time. Purchases, sponsorship, and patronage of any kind are all greatly appreciated. It is my hope, however, that viewers of my art and visitors to this website will, first and foremost, simply find interest and enjoyment in what they find. For more information, follow the various links on this page, or contact me at: jhmott@juno.com |
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